DAY OFF VIDEO PREMIERE
NEW NOISE MAGAZINE HAS PREMIERED THE VIDEO FOR, “DAY OFF” —
THE FIRST SINGLE FROM THE UNEARTHER EP. WATCH IT HERE.
UNEARTHER EP
UNEARTHED OCTOBER 8, 2021 on CASSETTE
AVAILABLE HERE
NEW NOISE MAGAZINE HAS PREMIERED THE VIDEO FOR, “DAY OFF” —
THE FIRST SINGLE FROM THE UNEARTHER EP. WATCH IT HERE.
UNEARTHED OCTOBER 8, 2021 on CASSETTE
AVAILABLE HERE
10/22/22 MONUFEST 2 @ ORDINANCE ONE w/CURTAINS, STATE DRUGS & MORE - New Port Richey, FL. BUY TICKETS
5/28/22 w/CRUSH DIAMOND & TIDUS @ CHECKPOINT CHARLIES - New Orleans, LA.
5/20/22 w/THE FRUIT MACHINES & BERLIN TAXI @ GASA GASA - New Orleans, LA.
10/16/21 w/SUPLECS @ PORTSIDE LOUNGE - New Orleans, LA.
10/21/21 @ DRUID CITY TAP ROOM - Tuscaloosa, AL.
10/23/21 MONUFEST @ ORDINANCE ONE - New Port Richey, FL. BUY TICKETS
10/24/21 w/CURTAINS @ DIRTY LAUNDRY - Orlando, Fla.
While the previous album saw the band (guitarist Craig Oubre, bassist Isidore Grisoli, drummer Joshua White) start to push their punk and indie influences in new directions, Unearther plays like a mixtape with the only common denominator being the names on the credits.
- Will Hibert, ANTIGRAVITY MAGAZINE: NOVEMBER 2021 read the full review here.
Out My Scope, the third full-length from New Orleans’ HiGH, continues their signature blend of catchy punk rock with the introspective lyrics and guitar heroics of ‘90s indie, all while throwing enough left turns into the mix to keep things from getting stale.
- Will Hibert, ANTIGRAVITY MAGAZINE: DECEMBER 2020 read the full review here.
Out My Scope is an album that specializes in a very specific brand of punk nostalgia, one that recalls the better years of the ’80s, not as a vehicle for aesthetic embellishment, but rather as a time of tumult and growth that sonically informs that band’s compositions and fills their soundscapes with fuzzy, reverb laden riffs.
- Brian Roesler, TREBLE ZINE: NOVEMBER 2020 read the full review here.
This new LP is certainly more varied than the last one, spanning more genres and sounds. On this outing the band veers somewhat away from the power pop and punk influenced songs and more toward indie rock and indie pop.
- Paul Silver, JERSEY BEAT: OCTOBER 2020 read the full review here.
I’ve found myself listening to it several times, basking in the Replacements style breaks and changes, Hüsker Dü rhythm and Dinosaur Jr. riffs. Not to say the track is derivative of any of these classics, as HiGH is merely creating original music that their predecessors would be damn proud of.
- Alyssa Holland, AMERICAN PANCAKE: OOCTOBER 2020 read the full review here.
US outfit crack out the killer riffs for this fast and energetic punk-inspired stomper
- Chris Bound, MYSTIC SONS: NEW MUSIC DISCOVERY: OCTOBER 2020 see the full list here.
HIGH’s new single, “JUDGEMENT NIGHT” is featured on the latest Spotify playlist from PUNK ROCK VINYL — follow it here.
As he stole a gulp of Izzy’s beer, Craig handed it back to him with a look of dismay and said, “That’s not my beer, there’s no pills in it. I thought you said this was a pilsner.”
- Kevin Barrios, ANTIGRAVITY MAGAZINE: DECEMBER 2017 read the full tour diary here
Evil Gene is precisely what to look for in a follow up album—familiar, but somehow further along. Loaded with the fuzziest riffs and most sweeping, syrupy solos this side of the Mississippi while chock full of scathing lyrical wit that cuts to the core…
- Stevie Navarre Allen, PUNK WORLD VIEWS: July 2018 read the full review here
Getting dumped for the 1st and the 21st time feel very differently and require a very different soundtrack — enter HiGH’s "Bummer Burner, the tongue-in-cheek, happy-go-lucky validation of adult emotions through pop punk that you didn’t realize you were deprived of until you hear it.
- Stevie Navarre Allen, PUNKNEWS: February 2016 read the full review here
HiGH are another New Orleans band that I’ve had my eye on since their last full length Bummer Burner that I loved. Craig Oubre (guitar/vocals) had been feeding me mixes and demos of the new tracks and I was blown away. The record is great and I love that a picture of Isidore’s (vocals/bass) father, Marco, is the album cover. Go listen to this record… its fantastic!
- Karol Kaminski, IDIOTEQ: December 2017 Wiretap Records’ Year in Review
As HiGH approached being a band for two years, and having played mostly local shows, we decided to start trying to spread out a little more in 2014. We did a short run of out-of-town gigs earlier this year and they were mostly successful, so we figured we would try our luck with something longer. Nine shows in ten days, about 3,000 miles.
- Craig Oubre, ANTIGRAVITY MAGAZINE: December 2014 read the full tour diary here
Limited edition cassette EP released by ASHTRAY MONUMENT RECORDS . To purchase, click here.
Stream now on Apple Music, Bandcamp or Spotify
Recording, mixed and mastered by James Whitten at HIGHTOWER RECORDING STUDIO - New Orleans, La.
featuring:
TIE ME UP
VACATION
UNEARTHER
DAY OFF
KICK AROUND
OFFICIAL RELEASE DATE: October 8, 2021
Run Time: 17 minutes, 23 seconds
3rd LP on ASHTRAY MONUMENT RECORDS and STRANGE DAISY RECORDS
Stream now on Apple Music, Bandcamp or Spotify
all songs written and performed by HiGH
additional vocals on "CROOKED" by Brian Pretus
keys on "OVERDRAWN" by David Latino
recorded and mixed by James Whitten
at HIGHTOWER RECORDING STUDIO in New Orleans, LA
mastered by Carl Saff for SAFF MASTERING
design and layout by Kevin Barrios
photos by Adrienne Battistella, Bret Lovetro and Dan Fox
SDR024
C O L O R S
• "GET HOME" RED (Band Exclusive)
Ltd. Edition Red Color Vinyl
Available exclusively from HiGH.
Grab your copy at a future show or from the HIGH store (BUNDLE OPTIONS ARE AVAILABLE).
Qty | 150
• "TEN AT ZERO" SPLATTER (Strange Daisy Exclusive)
Transparent Yellow w/ Red + Black Splatter
Available @ STRANGE DAISY
Qty | 50
• "BON'S BREATH" MARBLE (Ashtray Monument Exclusive)
Black + White marbled wax
Available @ ASHTRAY MONUMENT
Qty | 50
• "OLDEST THINGS" BLACK
Classic black wax
Available at shows, in stores & @ Strange Daisy
Qty | 150
Also available on cassette through Strange Daisy
PURCHASE + DOWNLOAD THE DIGITAL ALBUM @ BANDCAMP
Limited edition lathe cut clear vinyl 7” released by ASHTRAY MONUMENT RECORDS . To preorder, click here.
OUT OF PRINT
NOW STREAMING on Apple Music, Bandcamp and Spotify
featuring:
GET HOME (1st single off of the upcoming LP)
NOT PROUD (exclusive B-Side)
Limited edition lathe cut 7” released by ASHTRAY MONUMENT RECORDS
OUT OF PRINT
Stream now on Apple Music, Bandcamp and Spotify
10” split with CURTAINS (Orlando, Fla) released by ASHTRAY MONUMENT RECORDS
To stream the full album visit Spotify, Apple Music or Bandcamp. To purchase the 10” click here.
To stream the CURTAINS side visit Spotify, Apple Music or Bandcamp.
2nd LP released by WIRETAP RECORDS
To stream the full album visit Spotify, Apple Music or Bandcamp. To purchase the 12” click here.
Self-released first LP on cassette (out of print)
To stream the full album visit Spotify, Apple Music or Bandcamp.
High is built on the crooked backbone of Craig Oubre and Isidore Grisoli’s decades of friendship. A friendship forged through bike rides across Louisiana’s cancer alley, breathing in dust and carcinogens spilling from the refineries on New Orleans’ outer crust for band practice. A fifteen-year-old Grisoli joined 13-year-old Craig’s garage-homed punk band, The Pinheads, and they’ve melded together ever since — enhanced with the addition of drummer Joshua White.
While the boom of the early ‘90s punk movement will always be their root — a more diverse palette has been blooming on their buds. High will give you moments of ‘90s nostalgia; however, a wider scope has honed a sound that is poppy, biting, layered and crunchy. High brings technicality, fuzzy riffs, dripping solos, energetic bursts of drumming, and cul-de-sac gang vocals delivering dulcet harmonies, providing texture to the non-embarrassing nostalgic punk pop buried inside.
Lyrically, High deals in themes of social anxiety, love, loss, the universe, trying to be better, rock ‘n roll memorabilia, chain smoking, and a whole lot of introspection. On their split 10” EP with Orlando, Florida’s Curtains, High puts god on trial, much like The Dillinger Four before them:“If there’s a god, I would be wrong. So would he. I’m alone on a rolling stone.” High often explores honesty with oneself. On the forthcoming 7” single, “Judgement Night,” they propose that who we are in our daily lives may be the facade, while tapping into their primal man. This is a theme carried forward from their 2nd full-length album, Evil Gene which was released on Wiretap Records. High trades in being pretty around the edges for force-feeding you hard truths about yourself, with sing-along hooks that are a saturated and sticky ode to their inner scumbaggery, the true original sin—the selfish gene, survival of the slickest. That’s not to say they don’t have a softer side. On their soon to be released 3rd LP, High delves into sadness while tackling the loss of bass player Isidore Grisoli’s mother, who passed away while the band drove home from playing FEST16 in Gainesville on the single, “Get Home.”
High has toured most of the United States and into Canada — including a huge west coast tour with PEARS that included a slot in San Diego’s La Escalera Fest, and shared the stage with many of their musical heroes. High is on the verge of releasing their 3rd full-length album and has a slew of EPs available — some self-released, but they are also members of the Ashtray Monument and Strange Daisy families.
Vocals, Guitar / CRAIG OUBRE
Vocals, Bass / ISIDORE GRISOLI
Vocals, Drums / JOSHUA WHITE